Röyksopp > Henry Fonda Theater > 5 February 2003
by Dan MacIntosh
 
WEST HOLLYWOOD, CA - Röyksopp was written in big bold white letters above the back of the stage. It looked more than a little like a Volkswagen logo. But this band is a Norwegian import, not a German one.  And though krauty at times, Röyksopp is all about dance floor movement, not practical, efficient transportation. All those accented ones waiting in line outside the club before tonight's show provided clear evidence that Röyksopp attracted more than a few transplanted Norse to this LA venue. And up until that moment when two wannabe actresses started talking shop next to me in line, I was beginning to feel like I was the real outlander.
     
Röyksopp is the electronica dance duo of Svein Berg and Torbjorn Brundtland, but instead of taking on the appearance of two mad scientists (like, say, The Chemical Brothers), these two musician/composers dress in casual T-shirts and jeans, and jump around like two caffeine-fueled lab rats. Berg alternated between banging on percussion instruments and playing various keys, while Brundtland stuck to his synth stack along with contributing the occasional altered vocal.  Brundtland's singing sounded like "Trans" era Neil Young. Berg only rarely addressed the audience, and sometimes when he did this his voice was altered.  Wet with affects, he chose to make himself sound like low-frequency Barry White, rather than imitating high-pitched Neil Young.
     
Obviously, vocals are merely just one more aural element in the mix, as this outfit is hardly at all focused on singing. They've been dubbed downbeat electronica in some quarters, but there was nothing at all depressive about the music. Through enthusiastic dance grooves, one could pick up on Bo Diddley-inspired beats in a few places, and more than a couple of New Order influenced arrangements sprinkled here and there. At one point, the morphing Röyksopp even sounded like robot Bossa nova. They brought on live bassist Ole Vegard Skauge a few times throughout their set, but since he only played rudimentary lines, his appearance seemed questionable at best. Especially since this outfit's hi-tech setup was already doing a much better job of cloning the funk accurately.
     
Royksopp appears to be one sturdy vehicle.  Who knows, maybe it will even achieve the same staying power as those eternally young Volkswagens already have.