t
|
|
|
| 0 |
|
*t
i d a l w a v e m a g a z i n e . c o m
|
TWMTWM
Tales
of the Old East: Norwich and the Rural Roots of Brit Pop
by
Brian Ward
 Let’s
get one thing straight about British pop music in the early 1980s. The
most exciting independent music scene in the nation, the world, and probably
the universe, was to be found in Norwich, Norfolk, a medieval city nestling
amid fen and broad some 116 miles east of London, 20 miles short of the
North Sea, and light-years away from anything resembling the conventionally
hip. . . >>>read
on [tyke] |
t
w m
 "I
figure that If I can strip the song down to just guitar and vocals, and
the song still has the same essence, then it's worthy to keep. I think
that that is what classic songs have," says Mike Ruetschle in the accompanying
press kit for his sophomore release, “Lesser Than Opaque.” Ah, another
entrant into the Quest For Writing The Classic Song. . . >>>read
on [tyke]
_
_
_ |
Shoegaze,
by-the-Numbers
 A
Review of The Meeting Places,
Find
Yourself Along The Way
by
Chris M. Short
Dream
pop as a sub-genre tends to emphasizes mood and atmosphere over songwriting
chops. It’s nice to listen to, but what can the discerning music listener
take from it? Usually, not much. The sub-genre thrived in the early 90s
with UK bands like Ride, My Bloody Valentine, and Slowdive crafting exquisite
tunes that skillfully balanced mood and melody. . . >>>read
on [tyke] |
t
WE
HAVE MOVED. PLEASE NOTE THE NEW ADDRESS:
Tidal
Wave Magazine, 97 Willow St. apt. #1, Qunicy, MA 02170
randalls@ufl.edu. |
|
|
 Get
your copy of the latest print issue of Tidal Wave Magazine.
It's full of underground pop and offers loads of über-indie entertainment.
Contents
/ Order A Copy Now |
|
