Badly Drawn Boy > The Wiltern > November 8, 2002
by Dan MacIntosh
 
LOS ANGELES, CA - Damon Gough, within this alter-ego/band he calls Badly Drawn Boy, will give you an entertaining show.  Yet he won't deliver a smooth show.  Meaning, in order to get to the golden nuggets in his set—of which there were many—concert-goers had to wade through his false starts (he stopped and restarted two songs during this approximately two-hour show), wait out a brief, five-minute intermission (bathroom break?), and listen to him list a few high profile actresses he may (or may not) happen to be dating at the moment. Ultimately, however, Gough's melodic rock and smart lyrics are well worth the wait—and the taxed patience.

Those who were able to put these many distractions aside were greatly rewarded on this rainy LA night. Gough's unique take on a Christmas song, "Donna And Blitzen" (from the "About A Boy" soundtrack), revealed an underlying sweetness within this otherwise rough-edged Mancunian. On "What Is It Now," he turned the expectant prospect of a new child into an engaging, jangle-y rock exercise.  Both of these tracks are taken from his two most recent albums (the second being the just-released "Have You Fed The Fish?"). These recordings show off Gough's increasing love of orch-pop. And because he's so handy with a melody, this expanded artistic move suits him just perfectly.

Now back to those pesky distractions: It was difficult to comprehend Gough's need to restart two songs during this set—especially when you consider that this night marked the last date of the tour. Shouldn't he and his four-piece band have already worked out these kinks? In the end, it was Gough's casual, charming interaction with the audience, however, that saved the show from various degenerations. He smoked, drank, and accepted shots from the audience throughout the night. He even brought out his luggage bag toward the end of the night, and showed off snaps of his two young children. We (the audience) were family now, presumably.

Gough began this concert playing an electric guitar, and even jokingly took one long Crazy Horse-derived guitar solo shortly into the show. He also switched to keyboard in places (such as on the soulful "Silent Side") and picked at an acoustic guitar just after the break. He also blew into a harmonica for a few brief Dylan-esque moments. A guitarist, bass player, drummer and keyboard player served as his backing unit.

Just as his attire suggests (with trademark knit cap and loose-fitting jeans), Damon Gough isn't flashy or smooth. But inside this rather plain looking musician, exists a bounty of musical treasures.